2024.8.3

Abstractions – from a certain point –
Yasuko Toyoshima, Katsuhisa Sato, Fuminao Suenaga, Shoko Masunaga

Yasuko TOYOSHIMA
By taking a critical look at institutions and systems found in everyday life and in our society, Toyoshima focuses on creating works that shed light on the patterns found in human thought.

Born in 1967, Saitama, Japan. Toyoshima received her MFA from Tokyo University of the Arts. Recent shows include Origination Method (solo, Museum of Contemporary Art Tokyo, 2023-24), Group Show – Yasuko Toyoshima, Ryosuke Ogino, Makoto Ito (group, 2023-24, Maki Fine Arts),  Enclosure（solo, M gallery, 2021）, Alternating Current 2021（solo, Galleria Finarte, 2021）, PUBLIC DEVICE – Symbolism and Permanence of Sculpture (group, The University Art Museum, Tokyo University of The Arts, Tokyo, 2020).

Katsuhisa SATO
Sato explores the relationship between color and form with humor, using the system and form of painting as his subject matter.

Born in 1973, Hiroshima, Japan. Sato received his MFA from Aichi Prefectural University of Fine Arts and Music. Recent shows include solo show (See Saw gallery＋hibit, 2023), Same Thing (solo, SHINBI GALLERY, 2023), Insight 28　”hang” (group, Yoshimi Arts, 2023), Collection Beginning – Multiverse / Cat (group, Toyota Municipal Museum of Art, 2023), SHOUONJI ART PROJECT 28^th Katsuhisa Sato ”surface / ecafrus” (solo, SHOUONJI, 2021).

Fuminao SUENAGA
His paintings and three-dimensional works are based on visual subject matters inspired by elements relating to exhibition spaces and observations made during day-to-day activities.

Born in 1974, Yamaguchi, Japan. Suenaga graduated from Tokyo Zokei University in 1999 with a major in painting. Recent shows include UTSUSU (group, BOOK AND SONS, 2024), Textural Synthesis (group, Mitsukoshi Contemporary, 2024),Light paintings (solo, Maki Fine Arts, 2024), HEIHA (group, Gallery DEN5, 2023), Group Show – Yoshio Shirakawa | Fuminao Suenaga | Keisuke Shirota | Shunsuke Kano | Sean Micka (group, Maki Fine Arts, 2023).

Shoko MASUNAGA
Her creative process originates from paintings and utilizes a variety of techniques. By focusing on the connections to the surrounding environment and space, her works become fluid and interchangeable.

Born 1980 in Osaka, Japan, Shoko Masunaga graduated from Seian Zokei Junion College in 2001 with a degree in painting. Recent shows include MEMORIES (group, CADAN Yurakucho, 2023), Ginza Curator’s Room #005 Angel’s Perch (group, Shibunkaku Ginza, 2023), What Comes After the Beyond (solo, Maki Fine Arts, 2023), editing (solo, nidi gallery,2022), replace (solo, LOKO Gallery, 2021).

—

Abstractions – from a certain point –
Yasuko Toyoshima, Katsuhisa Sato, Fuminao Suenaga, Shoko Masunaga
Date : August 6 – 25, 2024
Venue : CADAN Yurakucho / Kokusai Building 1F, 3-1-1 Marunouchi, Chiyoda-ku, Tokyo
Open : Tuesday – Friday 11AM-7PM / Saturday, Sunday and National Holidays 11AM – 5PM
Closed : Mondays and Days following National Holidays
link

2024.7.19 Artist

Yasuko Toyoshima, Nao Osada – Medium and Dimention : Maze

7.26 Friday – 9.2 Monday
GASBON METABOLISM (12 Asaoshinden, Akeno-cho, Hokuto-shi, Yamanashi)

2023.11.17

Group Show – Yasuko Toyoshima, Ryosuke Ogino, Makoto Ito

Maki Fine Arts is pleased to present a group show featuring new and recent works by three artists starting Saturday, December 16, through January 28, 2024.

Yasuko Toyoshima
Born in 1967, Saitama, Japan. Toyoshima received her MFA from Tokyo University of the Arts. By taking a critical look at institutions and systems found in everyday life and in our society, Toyoshima focuses on creating works that shed light on the patterns found in human thought. Recent shows include Origination Method (solo, Museum of Contemporary Art Tokyo, 2023-24), PUBLIC DEVICE – Symbolism and Permanence of Sculpture (group, The University Art Museum, Tokyo University of The Arts, Tokyo, 2020), Image Narratives: Literature in Japanese Contemporary Art (group, The National Art Center, Tokyo, 2019). Her works have been added to collections at Museum of Contemporary Art Tokyo.

Ryosuke Ogino
Born 1970 in Saitama, Japan. Ogino graduated from the School of Political Science and Economy at Meiji University and completed the B-semi Learning System program. Ogino creates paintings using color layers while examining the relationship between color and form. Recent shows include The Constitution of Japan (group, Aoyama | Meguro, Tokyo, 2023), heliotrope (group, SHOUONJI, Tokyo, 2022), plastic language (solo, See Saw gallery＋hibit, Aichi, 2021). His works have been added to collections at Museum of Contemporary Art Tokyo.

Makoto Ito
Born 1955 in Aichi, Japan. Ito received his MFA from Musashino Art University. Recent shows include DOMANI: The Art of Tomorrow (group, The National Art Center, Tokyo, 2022-23), heliotrope (group, SHOUONJI, Tokyo, 2022), Omni-Sculptures -The Scene of Emergence- (group, Musashino Art University Museum & Library, 2021). His works have been added to collections at National Museum of Modern Art, Tokyo and Aichi Prefectural Museum of Art.

2023.11.2 Artist

Yasuko Toyoshima – Origination Method

December 9, 2023 – March 10, 2024
Museum of Contemporary Art Tokyo

link

2023.2.25

Yasuko Toyoshima “The Domain Based on Assumption and What Lies Beyond”

Maki Fine Arts is pleased to present The Domain Based on Assumption and What Lies Beyond, a solo show by Yasuko Toyoshima, starting Friday, October 16, 2020.

In the 1990s, Toyoshima chose everyday items like test answer sheets, rulers, and pencils as subject matter. Adding a touch of humor, she cleverly diverged the function and meaning of each item from its original. In her “Fill in the blank” series (1989-1990), entire surfaces of multiple-choice-test answer sheets were filled black except for the answer bubbles. For her “Ruler” series (1996-1999), rulers and protractors were heated in a toaster oven, then twisted and distorted into various shapes. In her “PENCIL” series (1996-1999), pencils were sharpened in the middle instead of the ends, exposing the leads at the center of the pencil.

Other series, such as “Mini Investment,” “Open Bank Account,” and “Transfer to my Account” (all ongoing since 1996), focused on the socioeconomic system. By exhibiting real stock certificates, bankbooks, and bank statements, Toyoshima transformed actions and processes into works of art and shed light on an individual’s existence inherent in specific rules and systems.

Toyoshima’s works have always been based on paradoxical views, embodying her own conflicts or a type of resistance that emerge when the internal part intersects with the rest of the domain.

Starting in the 2010s, Toyoshima’s pursuit began to shift from realistic processes to symbolic representation of patterns comprised of autonomous forms. In her “Panel” series (2013 onward), wood board pieces were placed on the back of panels to create geometric designs, shifting the viewer’s attention from the front surface of the work to the back. In her “Quadrilateral” series (2017 onward), the focus was on the relativity between support medium and design.

Toyoshima’s body of work continues to expand, and gallery visitors who have been anxiously waiting since her last solo show at Maki Fine Arts three years ago can now admire her new series “The Copernican Theory 2020.” Characterized by rotating circular wooden pieces, works in this series contain numerous unconventionally-shaped patterns and reference rotation and revolution mechanisms. Tinged with cryptic implications, these devices will demand the viewer’s attention.

—

I am trying to create an archetype of a motion domain like the Copernican theory or the geocentric theory. This domain has multiple layers with an axis running through the layers, allowing each layer to be moved arbitrarily.

Yasuko Toyoshima

—

Yasuko Toyoshima

Born 1967 in Saitama, Japan, Toyoshima received her MFA from Tokyo University of the Arts in 1993. By taking a critical look at institutions and systems found in everyday life and in our society, Toyoshima focuses on creating works that shed light on the patterns found in human thought. Her recent shows include Hikarie Contemporary Art Eye vol.13 (Shibuya Hikarie /8 CUBE 1, 2, 3, 2020), Image Narratives: Literature in Japanese Contemporary Art (The National Art Center, Tokyo, 2019), Weavers of Worlds -A Century of Flux in Japanese Modern / Contemporary Art– (Museum of Contemporary Art, Tokyo, 2018), Beyond the future of Meld Sculpture (Maki Fine Arts, 2018), Yebisu International Festival for Art & Alternative Visions: Multiple Future (Tokyo Photographic Art Museum, 2017), MOT Collection: Collection Ongoing (Museum of Contemporary Art Tokyo, 2016), and The Capital Room: Beyond Three Dimensional Logical Pictures–vol.1 (solo, gallery αM, 2015).

2022.11.9 Artfairs

Art Collaboration Kyoto

November 18 – 20, 2022
Kyoto International Conference Center Event Hall

Maki Fine Arts + Klaus von Nichtssagend Gallery
Booth : C16

Participating Artists :
Glen Baldridge
Holly Coulis
Alex Dodge
Jennifer J. Lee
Yasuko Toyoshima

link

2023.3.5 Artist

Yasuko Toyoshima – PUBLIC DEVICE, Symbolism and Permanence of Sculpture

December 11 – 25, 2020
The University Art Museum, Tokyo University of The Arts

link

2018.3.4 Artfairs

NADA New York

March 8 – 11, 2018
Skylight Clarkson Sq
Participating Artists : Yasuko Toyoshima

link

Supported by the Agency for Cultural Affairs Government of Japan in the fiscal 2017